KeREN BENBENISTY

Nata in Israele nel 1977. Vive e lavora a New York City (U.S.A.).


MOSTRE PERSONALI
 

2017

Migration, a cura di Irit Tal, The Genia Schreiber University Art Gallery, Tel Aviv;

2016

Mare Nostrum, a cura di Carolina Pozzi, Francesca Antonini Arte Contemporanea, Roma.

2015

Saxa loquuntur Stones speak, El Museo de Los Sures, New York (U.S.A.).

2014

Kamil, a cura di Mary L. Coyne, Pseudo Empire, New York (U.S.A.).

2011

Fabulous Opera (con Jaye Rhee), Gym Gallery, Seoul (Corea del Sud);

Parking, La BANK Gallery, Parigi (Francia).

2009

You are here to stay (con Hani Rashed), La BANK Gallery, Parigi (Francia).

2008

QuickTime, TÄT Gallery, Berlino (Germania).


PREMI

 

2013

SIP – Shpilman Institute of Photography Award (Israele).

2012

Creative Capital, Professional Development Grant, ARTIS, New York (U.S.A.);

Ostrovsky Family Foundation, Gerusalemme (Israele).

2011

ARTIS, Contemporary Israeli Art Fund, New York (U.S.A.);

Office of Cultural Affairs, Consulate General of Israel in New York (U.S.A.).

2009

French Ministry of Culture, Parigi (Francia);

Wallace-Reader’s Digest Endowment (U.S.A.).

2005

Installation-Sculpture Award, ENSB-A, Parigi (Francia).

2004

Colin-Lefranc Foundation (Francia).


FORMAZIONE E RESIDENZE
 

 2017

Arts Maebashi, Japan

2016

Residency Unlimited, Brooklyn, NY

2013 - 2017

The Elisabeth Foundation, New York (U.S.A.).

2011

ISCP - International Studio & Curatorial Program, New York (U.S.A.).

2009

Skowhegan School of Painting & Sculpture, Skowhegan (U.S.A.).

2003

California Institute of the Arts, Los Angeles (U.S.A.).

1999 - 2004

École Nationale Supérieure des Beaux-Arts de Paris, Parigi (Francia).

 

MOSTRE COLLETTIVE (SELEZIONE)
 

2017

Almost Home: Between Staying and leaving a Phantom land, a cura di Dorsky Gallery, Shlomit Dror, LIC, NY; 

Sinkholes, a cura di Hadas Kedar, Arad Contemporary Art Center, Israel; 

PUSH/STRIKE/RESIST, a cura di Melinda Wang, Equity Gallery, NY (U.S.A.);

2016

Apparatus for a Utopian Image, a cura di Pavla Sceranková e Dušan Zahoranský The Elizabeth

Foundation for the Arts, NY (U.S.A.);

The House of Dust, a cura di Katherine Carl, Maud Jacquin e Sebastien Pluot, Center for the

Humanities, The James Gallery, NY (U.S.A.);

Residual Historical Haunting, a cura di Roxana Fabius and Humberto Moro, Johannes Vogt Gallery, NY (U.S.A.)

56a Mostra della Ceramica, a cura di Olga Gambari, Castellamonte, IT;

EFA + Middle East, a cura di Bill Carroll, Shirin Gallery, New York, NY (U.S.A.).

2015

In Conversation II, From the Museum collection, Tel-Aviv Museum, Tel Aviv (Israele);

Of Average Means, Human Resources, Los Angeles (U.S.A.);

Sextant, NurtureArt, New York (U.S.A.);

GATHERER/Nonfunctional Display, Artist house, Gerusalemme (Israele);

Two Different Ways To Do Two Different Things, Kristen Lorello Gallery, New York (U.S.A.).

2014

Under Erasure, Tel-Aviv Museum, Tel Aviv (Israele).

2013

The Left Over Method, La Couleuvre, Saint-Ouen (Francia);

Drawing Biennale, a cura di Tal Yahas, Gerusalemme (Israele);

F_ll in th_ bl_nk, a cura di Shlomit Dror, Nars Foundation, New York (U.S.A.);

DRAFTED, Schema Project Gallery, New York (U.S.A.);

Tracing The Fish Bladder, a cura di Guy Goldstein, Radiator Gallery, New York (U.S.A.).

2012

Molecular Gastronomy, Young Artist Biennial, a cura di Ami Barak, Bucharest (Romania);

The Artis Shuk – NADA Art Fair, New York (U.S.A.);

So Near The Garden But Still Miles Away, a cura di Carmen Stolfi, Galleria Unosunove, Roma.

2011

Plutôt que rien, a cura di Raphaele Jeune, Maison populaire de Montreuil, Montreuil (Francia);

Ecstatic Streaming, Kunsthuis SYB Residency, Beetsterzwaag (Paesi Bassi).

2010

I Know what you did last summer, St. Ceclia’s Convent, New York (U.S.A.);

La nature ne fait sans objet, LA BANK Gallery, Parigi (Francia).

2008

Forever Young, a cura di Ami Barak, ANNE+ Gallery Art Project, Ivry/Seine (Francia).

2007

Dessins, a cura di Abdellah Karroum, Appartement 22, Rabat (Marocco).

2006

Passage, a cura di Eline Van Der Vlist, Waterloo, Londra (Regno Unito);

It is what it is, a cura di Erik Sigerud, konstbiennal, Alma Lôv Museum, Östra Ämtervik (Svezia).