Born in 1977 in Israel. Lives and works in New York City (U.S.A.).
Migration, curated by Irit Tal, The Genia Schreiber University Art Gallery, Tel Aviv;
Mare Nostrum, curated by Carolina Pozzi, Francesca Antonini Arte Contemporanea, Roma.
Saxa loquuntur Stones speak, El Museo de Los Sures, New York (U.S.A.).
Kamil, Pseudo Empire, New York (U.S.A.).
Fabulous Opera (with Jaye Rhee), Gym Gallery, Seoul (South Korea);
Parking, La BANK Gallery, Paris (France).
You are here to stay (with Hani Rashed), La BANK Gallery, Paris (France).
QuickTime, TÄT Gallery, Berlin (Germany).
SIP – Shpilman Institute of Photography Award (Israel).
Creative Capital, Professional Development Grant, ARTIS, New York (U.S.A.);
Ostrovsky Family Foundation, Jerusalem (Israel).
ARTIS, Contemporary Israeli Art Fund, New York (U.S.A.);
Office of Cultural Affairs, Consulate General of Israel in New York (U.S.A.).
French Ministry of Culture, Paris (France);
Wallace-Reader’s Digest Endowment (U.S.A.).
Installation-Sculpture Award, ENSB-A, Paris (France).
Colin-Lefranc Foundation (France).
FORMAZIONE E RESIDENZE
2013 - 2017
The Elisabeth Foundation, New York (U.S.A.).
ISCP - International Studio & Curatorial Program, New York (U.S.A.).
Skowhegan School of Painting & Sculpture, Skowhegan (U.S.A.).
Cal’Arts, Los Angeles (U.S.A.).
1999 - 2004
École Nationale Supérieure des Beaux-Arts de Paris, Parigi (Francia).
SELECTED GROUP EXHIBITIONS
Almost Home: Between Staying and leaving a Phantom land, curated by Dorsky Gallery, Shlomit Dror, LIC, NY;
Sinkholes, curated by Hadas Kedar, Arad Contemporary Art Center, Israel;
PUSH/STRIKE/RESIST, curated by Melinda Wang, Equity Gallery, NY (U.S.A.);
Apparatus for a Utopian Image, curated by Pavla Sceranková and Dušan Zahoranský The Elizabeth Foundation for the Arts, NY (U.S.A.);
The House of Dust, curated by Katherine Carl, Maud Jacquin and Sebastien Pluot, Center for the Humanities, The James Gallery, NY (U.S.A.);
Residual Historical Haunting, curated by Roxana Fabius and Humberto Moro, Johannes Vogt Gallery, NY (U.S.A.);
56a Mostra della Ceramica, curated by Olga Gambari, Castellamonte, IT;
EFA + Middle East, curated by Bill Carroll, Shirin Gallery, New York, NY (U.S.A.).
In Conversation II, From the Museum collection, Tel-Aviv Museum, Tel Aviv (Israel);
Of Average Means, Human Resources, Los Angeles (U.S.A.);
Sextant, NurtureArt, New York (U.S.A.);
GATHERER/Nonfunctional Display, Artist house, Jerusalem (Israel);
Two Different Ways To Do Two Different Things, Kristen Lorello Gallery, New York (U.S.A.).
Under Erasure, Tel-Aviv Museum, Tel Aviv (Israel).
The Left Over Method, La Couleuvre, Saint-Ouen (France);
Drawing Biennale, curated by Tal Yahas, Gerusalemme (Israel);
F_ll in th_ bl_nk, curated by Shlomit Dror, Nars Foundation, New York (U.S.A.);
DRAFTED, Schema Project Gallery, New York (U.S.A.);
Tracing The Fish Bladder, curated by Guy Goldstein, Radiator Gallery, New York (U.S.A.).
Molecular Gastronomy, curated by Ami Barak, Young Artist Biennial, Bucharest (Romania);
The Artis Shuk – NADA Art Fair, New York (U.S.A.);
So Near The Garden But Still Miles Away, curated by Carmen Stolfi, Galleria Unosunove, Rome (Italy).
Plutôt que rien, curated by Raphaele Jeune, Maison populaire de Montreuil, Montreuil (France);
Ecstatic Streaming, curated by Noa Giniger, Kunsthuis SYB Residency, Beetsterzwaag (The Netherlands).
I Know what you did last summer, St. Ceclia’s Convent, New York (U.S.A.);
La nature ne fait sans objet, LA BANK Gallery, Paris (France).
Forever Young, curated by Ami Barak, ANNE+ Gallery Art Project, Ivry/Seine (France).
Dessins, curated by Abdellah Karroum, Appartement 22, Rabat (Morocco).
Passage, curated by Eline Van Der Vlist, Waterloo, Londra (United Kingdom);
It is what it is, curated by Erik Sigerud, konstbiennal, Alma Lôv Museum, Östra Ämtervik (Sweden).